Граница пустоты: Спираль парадокса
Gekijouban Kara no Kyoukai: Dai Go Shou - Mujun Rasen
Boundary of Emptiness: Paradox Spiral
劇場版 空の境界／第五章 矛盾螺旋
|Type:||Movie (1 episodes), 112 min|
16 August, 2008
|Weighed:||9.03 (145 votes)|
In the middle of the night, Tomoe Enjou stabs his parents to death in a fit of rage, before escaping his apartment in a panic. Not long after, a homeless burglar finds their bodies, but when he returns with the police, to his surprise, he finds them being greeted by the residents in perfect health.
Sometime later, Shiki helps fend off some school bullies that were attacking Tomoe. Seemingly taken by Shiki's presence, he quickly asks her to help hide him, ecstatically claiming that he is a murderer. Shiki agrees, and simply cites she “is the same as him” when he is surprised by her easy acceptance of his status.
For the next month, Tomoe stays at Shiki's place, their life punctuated with Shiki's nightly sojourns, and Tomoe waiting for the news report of his parents' murder. During this time, Tomoe notices a strange man in a red hat and coat following Shiki. Tomoe warns her of this fact, which she idly dismisses. When they get into an argument over this, Tomoe claims he loves her, and as he lacks any worth, he'd be willing to die for her. Shiki refuses the offer, and asks him to consider where he feels his real home is. Tomoe feels then that he cannot hide any longer with Shiki, and leaves.
Not long after, Tomoe is shocked to see his mother still alive. Confused, he returns to Shiki. To confirm Tomoe's murder, Shiki accompanies him in returning to his residence at Ogawa apartment: an ominous, circular complex colored red, which was completed recently.
When they enter the elevator, Shiki notices they are ascending in a spiral. Reaching the 4th floor, Shiki insists on not ringing the doorbell, and simply entering Tomoe's home. Inside, they are met with Tomoe's abusive family, even another Tomoe, and watch the family's final moments as Tomoe's mother succumbs to murder-suicide. Shiki explains that these are simply imitation puppets that are revived in the morning and are forced to relive their final day alive repeatedly. Because Tomoe did not ring the doorbell, they continued to act as if they had no visitor.
Shiki then brings Tomoe to the opposite side of the apartment, his “real home”. She explains that when elevator began operating, due to the construction of the complex, none of the residents realized the rotating elevator made them exit 180 degrees, into another set of flats. When they enter Tomoe's original residence, they find the rotted corpses of the parents. This side of the apartment is used to store corpses. However, this intrusion also causes the undead puppets of the other deceased apartment residents to attack them when they exit. Shiki easily cuts them down, but afterwards she is confronted by Souren Araya. It is revealed in a short flashback that sometime during the second movie, Shiki had previously fought Souren.
Souren explains that he controls the apartment, as part of an experiment that uses the building to simulate a “miniature world that concludes in a day”. After driving all the occupants to kill one another, he has been making them repeat their deaths over the past half year, hoping for a deviation in their deaths. He also reveals that he was the one who manipulated Kirie and Fujino in the previous movies to attack Shiki, as antithesis to her, in hopes he can force her to recognize her own “Origin”. As they are meeting early, Souren decides to capture her now.
Shiki's mystic eyes are unable to perceive lines on Souren's body, due to his great age (his Origin being “Stillness”) and mystical artifacts he grafted onto his left arm in preparation. She attacks, regardless, even able to cut through his defenses, but in the end, she is defeated by Souren, and absorbed into the building.
Tomoe, the lone witness of all this, grabs Shiki's knife and escapes back to her home.
Toko receives a tip from a friend on the police force rergarding a mysterious report made by a burglar that upon entering an apartment, he found a middle-aged couple murdered. However, when the police follow up and ring the doorbell of their apartment, the man who was seen dead by the burglar answers as if nothing was wrong. A particular interest is taken to Tomoe, the son of the couple, who is missing. Toko requests that Mikiya, who just returned from a month of driving school in the suburb to obtain his license, investigate the situation.
Mikiya finds the schematics of the strange apartment building, two separate semi-circular buildings that are separate apart from the lobby containing only one central elevator, and reports this to both Toko and Shiki. Apparently, the builder meant for the construction to be for a company dormitory, but instead opened it to the public. Mikiya also reports that the elevator was inoperable for the first month residents lived in the building and also manages to find background details on 30 of the 50 families residing within the building.
Mikiya is also given a katana by Shiki's family to deliver to her. Toko requests that she not assemble it within the office, as its age would cause all of the magical barriers to break. Mikiya also makes arrangements to meet Shiki, but is surprised to find her apartment locked, although there was never a lock on the door in the past.
Toko and Mikiya set out and investigate the building, Toko reveals that she helped design it and there is a reason only 30 of the 50 family backgrounds could be found, the others were faked using certificates of already deceased people. Mikiya is automatically affected by the strange building's architecture and design, which Toko explains were purposely designed in that manner to make the residents go insane. As Mikiya exits the elevator on the 4th floor, he is confused to find himself on the wrong side of the building than the blueprints noted, and is further confused when he checks on the residents of apartment 405, Tomoe's family, and finds them there, although they are supposed to be living in the opposite building in apartment 410. When asked by Toko to meet him one flight up the stairs, Mikiya is surprised to find that he arrived on the 6th floor instead of the 5th, although seemingly only going up one floor of the building. Toko tells him the confusion is due to the elevator rotating 180 degrees while lifting and augmentation to the stairway, which Mikiya deduces as pistons raising the stairwell one level, therefore effectively "switching" the apartments of the residents to the other half of the building after the completion of the elevator.
Mikiya then visits Shiki's apartment again but finds Tomoe there instead. He tells Tomoe that he is going to look for that now missing Shiki and questions Tomoe on his motives for helping to rescue Shiki. Mikiya brings Tomoe with him on the condition they make one stop first, despite disagreeing with Tomoe's sentiments that this is something he is just doing for Shiki's sake. Mikiya surprises Tomoe by bringing him to his childhood home where Tomoe regains his memories and realizes that he "has a home" and will fight for his own sake, not Shiki's.
Mikiya and Tomoe proceed to the apartment complex to rescue Shiki. They separate before entering, deciding to take separate routes, and agree to never search for each other again after parting so that neither one would feel guilty if something happened to the other. After bidding farewell to Tomoe, Mikiya enters the building and is confronted by Cornelius, a Magus from Toko's past, who assumes Mikiya is Toko's apprentice. Although Mikiya manages to stab Cornelius, it does no good. Cornelius superimposes his hatred for Toko on to Mikiya, even acting as if he were Toko, while slamming his head into a wall continuously, knocking Mikiya unconscious.
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